I've always firmly believed that with singing, Carnatic is much tougher than film songs, but with composing, it's exactly the other way round. Why? coz true singing in Carnatic involves manodharma- or imagination (in the form of aalaapanai, neraval, swaram etc), and if you want to be good, it better not be "pre-meditated imagination"! And composing Carnatic I believe is easy since SO much of it comes ready made in the form of ragas. So if you pick a raga in which to compose, it has its standard usages and nuances and you just go with the flow. There are boundaries. There are rules. And with limited pieces to move around in the game, its not too hard to come up with a standard classical composition. (There's at least a small challenge only if you pick rare ragas, but that's not all too tough either) Where as with "filmi" songs, a whole new range of possibilites arise. Chords. Harmonies. Overlays. Variety of instruments. There's lesser rules, so it's that much tougher to produce a good piece with not much to follow.
Anyway, coming back to me- if art means spontaneity, then I must admit I'm hardly an artiste. I'm so regimented in my thoughts... Sometimes, the thought that I'm fundamentally wired this way scares me. But many times, I feel good as well. I find immense pleasure in analyzing a piece of music philosophically. So if this is what is "natural" to me, then is this art as well? I don't know.
5 comments:
Thank goodness someone thought being spontaneous is art, OMG thats the only way i know how to compose.I always believed that music should come from an emotion, something you feel and experience and express it out as music and thats how i do my songs. I'm really glad that a person like you who studied music all your life thinks it can be done this way too, it feels like i'm being recognised or something.hehehe
@Pete: I would say I guess that's the default way!
Actually, many Carnatic artists who perform on stage carefully think out their alapana and kalpana swaras beforehand using calculations, atleast the singers. If you notice, there is a usual routine that a particular artist follows in the raga alapana; quite a bit of it is pre-determined and practised. I would say that it is not completely extempore. That way, I admire the violinists who accompany the artist without the knowledge of what they would sing at that particular concert.
You do not have to feel that being less spontaneous makes you a bad artist at all!
Hey Apsara! Thanks for the comment :) I thought of that too, but then I think at least the senior artistes don't have it all down... but ya, I see what you mean :) Not that much reason to despair I guess!
Enjoyed reading your self analysis.
Right brain or Left brain?
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